Reading with Rose: Tea Time

If you’ve ever visited the Nichols House Museum, you will already know that Rose Standish Nichols was an avid tea drinker. This is not only reflected in the museum’s physical collection but in its history. For years, Rose hosted salon-style tea parties, attended by a carefully cultivated group of influential society members with a connection to the host herself or the topic of the day. For our December blog post, we will examine the relationship between tea and our matriarch, Rose.

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Cover. The Book of Tea (1906).

The Book of Tea by Okakura Kakuzo was published in 1906. Kakuzo was an influential art critic who eventually became curator of the Oriental art department at the Boston Museum of Fine Arts. Born in Yokohama in 1863, he attended Tokyo Imperial University, where he met a fellow art critic who strove to defend traditional Japanese art against westernization. Kakuzo became an outspoken defender of the traditional Japanese art forms, co-founding and later becoming head of Tokyo Fine Arts School. He later founded the Japan Academy of Fine Arts. It was toward the turn of the century that he came to the Boston MFA, where he continued to assert the importance of traditional Oriental art. His books, including The Book of Tea, were published in English so that even Westerners would be able to understand his ideas and opinions on Oriental art. Kakuzo died in Japan in 1913. [1]

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Front. Postcard from RSN collection.
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Back. Postcard from RSN collection.

In Kakuzo’s book he mentions tea in connection with three major Chinese dynasties: Tang (618-906), Sung (960-1279), and Ming (1368-1644). Tea became the “undisputed national drink of China” under the Tang Dynasty; began to be “powdered and whisked” under the Sung Dynasty; and began to be sipped from porcelain instead of wooden bowls under the Ming Dynasty [2].Rose Nichols’ extensive postcard collection features several images attributed to these dynasties.

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Postcard from RSN collection.

 

In addition to The Book of Tea, Rose also collected many books that could have easily been featured in her reading club. Her salon-style discussion were known to push the boundaries of what some might consider traditional tea-time talk. As Rose was keen on world peace, many of the books she collected reflect her interests in global affairs. It’s quite possible she used these books to draw attention to events and governments her guests were unaware of. An extensive traveler, Rose collected such broad topics as covered in books like the ones you see below, including George Orwell’s Animal Farm (1946) and Olive Schreiner’s Woman and Labor (1911).

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Some books from Rose Standish Nichols’ library collection. Featured here in the parlor where she held weekly discussions.

The relationship between Rose Standish Nichols and tea has continued to influence the museum. Our interpretation of this independent, accomplished woman’s house would be incomplete without calling attention to how and why Rose hosted lively discussions over tea in the parlor of her home for decades. If you have yet to visit the museum, come by before February 3rd, 2018 to see our pop-up exhibit, Peace and Prosperity: Rose Standish Nichols and Tea, which includes special items that showcase the relationship we’ve examined here today.

Notes

[1] Editors of Encyclopaedia Britannica. “Okakura Kakuzo.” 16 March, 2016.  Encyclopaedia Britannica, Inc.

[2] Moxham, Roy. Tea: Addiction, Exploitation, and Empire. Carroll & Graf Publishers, 2003.

By Victoria Johnson, Visitor Services and Research Associate

 

 

 

 

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Reading with Rose: Second Star to the Right

 

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“The child’s map of Kensington Gardens,” from The Little White Bird, or Adventures in Kensington Gardens, 1920.

This November marks the 115th anniversary of the publication of J.M. Barrie’s The Little White Bird. Less known today than the idea it gave birth to, this novel was the world’s introduction to one of the most popular literary and cultural figures to date: Peter Pan. This month we will take a look at three books by Sir James Matthew Barrie held by Rose Standish Nichols in her library collection.

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Sir James Matthew Barrie, 1892.

James Matthew Barrie was born May 9, 1860 in Kirriemuir, Scotland. The ninth child of David and Margaret, Barrie’s academic aptitude was identified and nurtured early in his life. He began his academic career in 1868 as his brother Alexander’s pupil at Glasgow Academy. Throughout the next several years, Barrie continued to follow his brother to various schools, including Dumfries Academy, where he composed his first play for the drama society. In 1878 Barrie enrolled at Edinburgh University, where he received his MA in 1882. With his education complete, Barrie began work almost immediately as a journalist. His literary career coincided with his journalistic one–he wrote six novels while contributing to fifteen journals. [1]

Rose Standish Nichols owned three of Barrie’s works:  two story-collections, When a Man’s Single (1888) and Auld Licht Idylls (1888), and the novel The Little White Bird, or Adventures in Kensington Gardens (1902;1920). The former are widely regarded as autobiographical fictions, while the latter is mainly remembered as the work that introduced the world to the boy who wouldn’t grow up. The Peter Pan in The Little White Bird only slightly resembles the one we have come to know through various film and stage adaptations, but his life began here.

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Title page.

Rose’s copy of The Little White Bird, or Adventures in Kensington Gardens was published in 1920 by Charles Scribner’s Sons, the owners of Scribner’s Magazine in which the tale first appeared in America. This version of Peter Pan’s story was revised to include the earlier tales from both The Little White Bird and Peter Pan in Kensington Gardens, a children’s book published in 1906 that expanded the mythology of Peter. Her copy of When a Man’s Single dates to 1890; Auld Licht Idylls to 1891. Rose would have been twenty years old and already traveling through the United Kingdom.

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Inscription from Rose Standish Nichols’ copy of Auld Licht Idylls. 

Barrie’s works gained widespread attention and admiration during the 1890’s, when many of his plays were put on. He continued to write (mostly plays) throughout his life, but it was undoubtedly Peter Pan, or the Boy Who Wouldn’t Grow Up that became his most endearing and successful work. In 1913 King George V made Barrie a Baronet, and in 1922 Barrie was awarded the Order of Merit. Barrie’s plays continued to be produced on stage–to varying degrees of success– until his death in 1937. He is buried alongside his family in Kirriemuir. [2]

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J.M. Barrie’s London residence, near Kensington Gardens, is marked as a member of London’s Blue Plaque Heritage landmarks.       [Victoria Johnson, 2014.]
Notes

[1] R. D. S. Jack, ‘Barrie, Sir James Matthew, baronet (1860–1937)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 2014.

[2] Ibid.

By Victoria Johnson, Visitor Services and Research Associate